Mouthpiece trials can be a dangerous sport! While we don’t suggest wearing a helmet, there are some steps you can take that will protect the sensitive area of your lips and muscles from damage. Follow the steps below and you should be able to walk out of your trial session unscathed and hopefully with a new mouthpiece!
What is winning, and how do I get it? The most appreciated parts of winning tend to be the beginning inspiration and the prize at the end, but what do you call all the stuff that make up the middle? In the end it tends to be all those middle parts which define winning more than the prize. Here is some great advice from Aaron Tindall on how to navigate your road to winning.
Are you a musician? Your New Year's resolution might include practice disciplines, range goals, technique goals, career goals, etc. Resolution planning can be tricky; too easy and you feel like you cheated, too lofty and half-way through the year you feel like a failure. If only there was one thing that you could resolve to do that would keep you busy the whole year while improving everything. And there is!
How I became a Mute Maker, By Denis Wick
My long-suffering wife said, “You’re just never satisfied!”. Many a true word is spoken in exasperation. I had tentatively suggested, in about 1969, that somebody ought to design mutes that actually played in tune and worked in every register. We had been recording film music with Bernard Herrmann, who had helped to make all those Hitchcock films such a success. He was contemptuous of the old fibre mutes that I and my LSO trombone section were using. He called them "psychological mutes” and we knew what he meant.
The Heritage mouthpiece for Trumpet is Denis wick's newest installment to a long list of amazing tone-producing products for trumpet players. Both the HeavyTop and Heritage utilize additional mass to provide focus to the sound, but in much different ways.
A PRACTICAL AID TO A BEAUTIFUL SOUND, by Denis Wick
As every teacher knows, a good tone on any brass instrument needs a properly set-up embouchure; a good teacher will spare no effort to ensure that the student's embouchure is as efficient as possible. These days one may assume that the young player will have a reasonable instrument and a sensible mouthpiece. To this one must add what many teachers would regard as the most important of all - good breath control.